It
was spring of 1960. I remember it so well. Elvis was King, the new kids on
the block were the Beatles and Wee Johnny Hempkin
was the Manager of the
Carrick Cinema.
There were 2 cinemas
in Maybole in 1960-the Ailsa and the Carrick. The Ailsa was considered to
be more upmarket. The Carrick on the other hand was at the end of the
cinema chain circuit and showed 3 features a week, typically Frankenstein
on Monday/Tuesday, Dracula (shouts of “Gie him a straw!” were common as
Dracula sought to plunge his fangs into the victim’s neck) on
Wednesday/Thursday and a Western or War film on Friday/Saturday.
The Carrick
projectionist came into my father’s shoe shop in School Vennel and said
Wee Johnny was looking for an assistant projectionist to help out 4
nights a week. As a hard-up 16-year old at the time, the opportunity to
earn some cash was tempting, so I went along for an interview with Wee
Johnny.
A dapper wee man in a
dark double-breasted suit, white shirt and natty tie, he chain-smoked
roll-up fags and spoke like a machine gun firing. The air was filled with
the smell of stale cigarette smoke and brandy fumes. Above his desk was a
black and white framed photograph of the Hood battleship. Wee Johnny spoke
with pride about his years of service on the Hood during the War and how
he survived the ill-fated sinking of the battleship. It was many years
later that I learned there were only three survivors of the Hood sinking,
and none of them was Wee Johnny! Wee Johnny spoke with such conviction about his
survival that I am sure he believed it. Being the only candidate I got the
job on the spot for wages of 10/- (50p) per week.
The Carrick projector
was a relic and regularly broke down. One Saturday evening the carbons
that provided the light for the projector snapped and mayhem ensued in the
packed cinema. Cries of “Pit a shillin’ in the meter” and “We want oor
money back” were the most polite of the catcalls accompanying the thunder
of stamping feet. Wee Johnny burst into the projection room to be told it
would take 4 minutes to repair, whereupon he thrust a huge torch into my
hand and said “Come wi’ me son.” Then he switched off the lights to the
main hall. Through a rabbit warren of corridors we went pell mell until we
burst into the hall via a door at the side of the big screen. Facing us
was a baying mob of Minniebolers. Wee Johnny reminded me of my screen hero
Humphrey Bogart with his fag hanging from the side of his mouth and his
bravado. We directed the light of our torches into the crowd. Then, with a
voice like a foghorn, he shouted words I remember to this day- “Shut up
youse, it’s no ootside yer in!!” In an atmosphere of confusion and stunned
silence, some cinemagoers could be heard whispering to each other “Whit
did he say?” Before that question could be answered by anyone in the
cinema, the projector sprung to life and a great cheer went up. Wee Johnny
had saved the day.
Some months later Wee
Johnny was set upon (mugged in modern parlance) on his way home with the
evening’s takings. The Daily Express ran the story. Wee Johnny’s recall of
the mugging was as clear as his memory of the sinking of the Hood!! |